examples to follow! expeditions in aesthetics and sustainability

The finiteness of our energy reserves, the impending climate change, the shrinking of biodiversity have deeply penetrated and alarmed public consciousness even before the failed world climate summit in Copenhagen and the subsequent one in Cancun, where “nothing but compromises” (Frankfuter Allgemeine Zeitung) were reached. After these summits, the question of the possibility for individual action is even more urgent.

We need visions of a sustainable life that interconnect with the sensuality, lust and passion of acting on our own. examples to follow! intends to encourage this and to move the cultural and aesthetic dimension of sustainability into the awareness of the senses, thus counteracting the visible erosion of the term. The exhibition aims at raising awareness for the fact that a constructive sustainability cannot make do without the arts and sciences. It needs to learn from them how to think in transitions, interim solutions, models, and projects.

Artistic questions and concepts for action increasingly aim at the multi-layered domains of ecology as well as towards enlarging their social resonance space. Sustainability needs a space for development in which the multiple interconnections between the existing wealth of knowledge and experience in the arts and sciences as well as the idea that each individual can be a part of this can truly unfold.
The expeditions in aesthetics and sustainability demonstrate artistic practices that contribute to the preservation of the planet, intend to influence conscious consumer behaviour and be economically efficient; they also showcase artistic positions in which the boundaries between art, activism and inventions dissolve and the experiences and methods of environmental initiatives interconnect with artistic approaches.

Sustainability requires a cooperative expansion of perception. Hence, the boundaries between artistic and technical creativity, between feasibility and idea are deliberately suspended. Sensuality is the connecting element in the creations and presentations of visual artists, inventors and scientists as well as in exemplary works from the fields of design and architecture, but also in instances of sustainable economic activities, each of which in their own way challenge the individual dimension of action.

Besides participatory projects and networks, the exhibition presents technical innovations and materials in the areas of renewable energies, climate change and re/upcycling, as well as in examples of sustainable management, each challenging the individual dimension of action in their own way.

With regards to inventions and prototypes, visitors to the exhibition have the opportunity to participate in the further development and realisation of products or in cooperative models, for example by signing share certificates.

The exhibition is accompanied by workshops for children and teenagers, panels with experts from the arts, sciences, foundations, business and industry, and NGOs, in order to explore the necessary new alliances in the field of aesthetics and sustainability. It offers space for the presentation of different modes of action in the field of aesthetics and sustainability, and is a space for thinking, a workshop for scholars and scientists, artists, inventors, and the public.
The three-part publication is made up of a catalogue, a reader with artistic and scholarly and scientific contributions by artists, scientists and scholars, with essays, stories, examples, construction manuals, applications, shares, and a separable part especially for children. A website with an extensive collection of links to research projects and expert information rounds off the project and lets users explore the topic further.

Examples to follow! sees itself also as a starting point for the discussion about the establishment of a Fonds Ästhetik und Nachhaltigkeit (FÄN), a fund for aesthetics and sustainability. From this fund, future solo art projects, interdisciplinary projects and events, as well as research projects that should have a national or indeed international reach, are innovative, and geared towards sustainability, providing models for others, are to be financed.

The fund should help open up the aesthetic dimension of sustainability in (pilot) projects, ideas, guidelines for action, and initiatives by artists, scholars, scientists, and inventors, and beyond that should encourage art projects in this field. This fund would be an important condition for ensuring that the hitherto neglected cultural dimension could be explored, towards an aesthetic practice of sustainability.

Examples to follow! was awarded with the 2010 special media prize of Deutsche Umwelthilfe, and it received a prize as a project of Werkstatt N of the Rat für nachhaltige Entwicklung (Council for Sustainable Development). In 2013 examples to follow! was distinguised by the German UNESCO Commission as UN-Decade Project of Education for Sustainable Development.


Artists of past and present expeditions:
Aziza Alaoui (MEX | MOR), Ravi Agarwal (IND), Jennifer Allora & Guillermo Calzadilla (US | CU), Francis Alÿs (MEX | BEL), Néle Azevedo (BR), Richard Box (GB), Joseph Beuys (D), Ines Doujak (A), Olafur Eliasson (DK), Adib Fricke (D), Galerie für Landschaftskunst (D), Studio Lukas Feireiss und Tomorrow’s Thoughts Today mit Luis Berríos-Negrón (D | UK |PR), Emiliano Godoy (MEX), Dionisio González (E), Tue Greenfort (DK), Sonia Guggisberg (BR), Hermann Josef Hack (D), Henrik Håkansson (S), Ilkka Halso (FIN), Cornelia Hesse-Honegger (CH), Vincent J.F. Huang (CHN), Folke Köbberling | Martin Kaltwasser (D), Christian Kuhtz (D), Christin Lahr (D), Antal Lakner (HU), Jae Rhim Lee (KR | US), Till Leeser (D),Sarah Lewison (Gordon Matta-Clark Adaption) (US), Marlen Liebau | Marc Lingk (D), Gustavo Lipkau (MEX), Rudolf de Lippe (GER), Ma Yongfeng (CHN), Susanne Lorenz (D), Petra Maitz (A), Renzo Martens (NL), Ayumi Matsuzaka (JP), Manish Nai (IND), Shirley Paes Leme (BR), Dan Peterman (US), Nana Petzet (D), Clement Price-Thomas (US), Pedro Reyes (MEX), Dodi Reifenberg (IL | D), Gustavo Romano (AR), Ariel Rojo (MEX), Miguel Rothschild (AR), Michael Saup (D), Ursula Schulz-Dornburg (D), Dina Shenhav (IL), David Smithson (US), Robert Smithson (US), Superflex (DK), Jakub Szczesny (PL), The Yes Men (US), Maria Vedder (D), Gudrun F. Widlok (D), Wang Jiuliang (CHN), Xing Danwen (CHN), Yang Shaobin (CHN), Zuhausekraftwerk (D), Zwischenbericht (D).








12th station of the exhibition ETF!
in Essen, Germany

Exhibition: 18/07/2014 - 04/09/2014

Tuesday - Sunday, from 12pm - 6pm, closed on Mondays.

SAVE THE DATE: Interdisciplinary Symposium (including a night of theater): 16. AUGUST 2014

Welterbe Zollverein - Areal A
[Schacht XII], Halle 6 [A6]
Gelsenkirchener Straße 181
45309 Essen

Tickets: 5 € [reduced: 3 €]
Familyticket: 12 €
Groups (starting with 5 persons) / School classes : 20 €
Workshops and Symposium: free entrance

NEW: Guided tours on Sundays the 3rd, 10th,17th and 4th of August at 2pm. (duration 60 minutes)
Meeting point: Hall 6.
Fee: 5 €
Registrations +49 201 2 4 6 8 10 or denkmalpfad@zollverein.de


How to get there

Where are we

Read the press review about ETF! at the Zeche Zollverein, Essen.


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examples to follow! expeditions in aesthetic and sustainability is distinguished by the German UNESCO Commission as Decade Project of the UN Decade in Education for Sustainable Development 2014.


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The expeditions in the World Heritage Site Zollverein are made possible by: